VFX in Television

Wednesday, April 9, 2014

Great article by Post Magazine detailing the extraordinarily high level of top-notch VFX in current day television that we're featured in:

http://www.postmagazine.com/Publications/Post-Magazine/2014/April-1-2014/VFX-for-TV-Series.aspx

About Synaptic VFX

Synaptic was launched to offer the combined visual effects expertise of the company's three partners; Shahen Jordan, Ken Gust and Shant Jordan. The result is a junction of creative and technical talents ready to provide VFX design, production, 3D stereo conversion, DI, editorial, and finishing services for feature films, commercials and 3D stereo productions. With backgrounds in independent film, traditional animation, business development, fine art, theatrical production, digital workflow, acting, and stereo 3D production, Synaptic changes the paradigm of a boutique that is a “One-Stop Shop”.

Beyond their work that you've seen in The Green Lantern, Alice in Wonderland, Where the Wild Things Are, Night at the Museum:Battle of the Smithsonian, Iron Man, Hancock, Terminator: Salvation, The Curious Case of Benjamin Button, Get Smart, and many other feature films, the Synaptic partners have handled 3D stereoscopic VFX on Ghost Rider: Spirit of Vengeance 3D, Piranha 3D, Shark Boy and Lava Girl 3D, and worked on 3D event installations for Disney and the Annenberg Photo Space.

Most recently, Synaptic completed work as the primary VFX house on Sleepy Hollow for FOX, and has been announced as the lead house on the upcoming pilot "Hieroglyph". In addition to the artfully designed Burbank-based studio, Synaptic opened a new office in New Orleans just last year to take advantage of the increased filming in that area, as well as the tax rebate incentives to pass savings onto our clients. With a dedicated dark-fiber pipeline, an exceptional full-time in-house team, and executives that are themselves artists, Synaptic delivers world-class work on time and on budget.

Wednesday, April 9, 2014

VFX in Television

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